Month: February 2026

  • 2026 Vocal #1

    This piece began with an impromptu vocal and keyboard performance, without a specific beat or drum. To find the tempo, I used the keyboard’s MIDI recording. Then, I created “bounce” copies, which muted the original tracks. Next, I transcribed the voice from audio to MIDI. This is quite a detailed process. After that, I soft…

  • MusicXML Elements

    MusicXML Elements Reference This document is a structured reference to the principal MusicXML 3.x elements used to encode Western common-practice notation.   See https://www.musicxml.com/ for details.   Terminology follows standard musicological usage (note values, meter, pitch classes, articulations, etc.). Examples emphasize attribute variability such as rhythmic value, duration, and notation modifiers. This is not a verbatim schema listing; rather,…

  • Musical Analysis Categories

    This study guide presents eleven fundamental categories of music analysis. Each category functions as a conceptual entry point, though mature analyses typically integrate multiple approaches for comprehensive understanding. Form and Structure (Structural–Formal Analysis – Examines the large-scale organization of a musical work, how sections, phrases, and formal functions relate over time to create coherence. Pitch Organization…

  • Musical Form

    1. SECTIONAL FORMS (Based on Contrast and Repetition) One-Part Form (A) A single, unified section with no substantial internal contrast. Common in short character pieces, preludes, or folk melodies. Binary Form (AB or AA-BB) Two distinct sections. Covered in your document. Common variants include simple binary and rounded binary (where B concludes with A material). Ternary Form…